For all those who have had the good fortune to take the second number in the hands of Judas, but also for those who still do it ... from Dec. 18 to be held in Vasto at the Center Rosetti an exhibition entitled "Lipstick COMICS", you can enjoy the original plates from the second issue of the magazine focuses on all Pre-Raphaelite Brotherhood, this number is even better than the first object / book, great attention to detail and to decide of good taste, the graphics, which often is careless in the comic, here is excellent! Complacency aside, the following press release and a table ...
As usual, Be there!
The comic
Rossetti exhibition of original drawings of the 2nd issue dedicated to the Pre-Raphaelites
Archaeological Museum, Palazzo d'Avalos, Vasto http://www.centrorossetti.eu/
From December 18, 2010 to January 7 2011 Opening and
meeting Saturday, December 18 at 19:30
Expose:
Gianluca Costantini, Ciro Fanelli, Alice Socal, Angelo Mennillo, Robert
Rebotti, Rocco Lombardi, Armin Barden
Judah (acronym for Unconventional Drawing Geographical Institute of Arts) is a magazine also feeds on nostalgia, maps and pictures drawn. The map is not the territory, and the picture is not represented. As you cross the design and geographical representation? Judas's betrayal of images explores the ambiguous relationship between sign and perception.
In the second issue, visitors unaware of visual maps of the group led by Gianluca Costantini are the Pre-Raphaelites. The young English with Dante Gabriel Rossetti, the son of an exiled Italian Carbonari, the Victorians created a world opposed by traditional art criticism, made not only of stylistic choices, which started from a strong awareness of the relationship between representation and symbolism but also of poetry, literature and especially the very lives of its protagonists. Biographies of artists, on their being a sentimental geography that often intertwined destinies composed, focused the designers of Judah. William Morris, who was deep upholstery craftsman and socialist of the first hour with the daughter of Marx, the same Rossetti, poet, painter before, addicted to laudanum and women artists and artists of the meet in the pages of the journal preavanguardistica Judah to speak through the language of comics.
Rossetti exhibition of original drawings of the 2nd issue dedicated to the Pre-Raphaelites
Archaeological Museum, Palazzo d'Avalos, Vasto http://www.centrorossetti.eu/
From December 18, 2010 to January 7 2011 Opening and
meeting Saturday, December 18 at 19:30
Expose:
Gianluca Costantini, Ciro Fanelli, Alice Socal, Angelo Mennillo, Robert
Rebotti, Rocco Lombardi, Armin Barden
Judah (acronym for Unconventional Drawing Geographical Institute of Arts) is a magazine also feeds on nostalgia, maps and pictures drawn. The map is not the territory, and the picture is not represented. As you cross the design and geographical representation? Judas's betrayal of images explores the ambiguous relationship between sign and perception.
In the second issue, visitors unaware of visual maps of the group led by Gianluca Costantini are the Pre-Raphaelites. The young English with Dante Gabriel Rossetti, the son of an exiled Italian Carbonari, the Victorians created a world opposed by traditional art criticism, made not only of stylistic choices, which started from a strong awareness of the relationship between representation and symbolism but also of poetry, literature and especially the very lives of its protagonists. Biographies of artists, on their being a sentimental geography that often intertwined destinies composed, focused the designers of Judah. William Morris, who was deep upholstery craftsman and socialist of the first hour with the daughter of Marx, the same Rossetti, poet, painter before, addicted to laudanum and women artists and artists of the meet in the pages of the journal preavanguardistica Judah to speak through the language of comics.
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